It's easy to miss their modest workshop. But once you ask around Rustaq, you will definitely be pointed to the right direction where upon entering this piece of creative hub, you will be greeted by the rich aroma of wood and the gentle rhythm of hands working meticulously. The space is alive with the scent of fresh timber and the warm glow of sunlight filtering through the roof, illuminating a cluttered but organised chaos of wooden planks, chisels, and carving tools. Old-fashioned hand saws hang neatly on the wall alongside modern machinery, a testament to the blend of tradition and innovation that defines this place. Amidst the sawdust and shavings, two brothers, Ahmed and Majid Al Hattali, are busy bringing their vision to life — a passion rooted in heritage, woven into every beam and carving.
Their workshop isn’t grand, but it’s full of character. Walls are lined with completed pieces, each telling a story. Some are intricate boxes with detailed geometric patterns, others are smooth, polished furniture pieces with a natural glow. There’s a tangible energy, a sense that here, craftsmanship isn’t just work — it’s a cultural act. As they work side by side, their conversation reveals their deep respect for the material, the heritage it reflects, and the future they hope to carve for Oman’s artistic artisanship.
The story of Ahmed and Majid is intertwined with Oman’s long tradition of woodworking, a craft that has been part of the country’s history for centuries. The majestic forts, houses, and mosques scattered across the landscapes are silent witnesses to this craftsmanship. The ceilings are decorated with elaborate wooden paneling, doorways are framed with carved motifs, and windows feature intricate latticework, all showcasing the artistry passed down through generations. These architectural works not only serve aesthetic purposes but also reflect the skill and cultural identity of Oman’s craft tradition.
Historically, Oman’s architecture demonstrates influences from various cultures, a testament to its position as a trading hub along ancient maritime routes. The craftsmanship on the grand facades of forts like Nizwa and Bahla incorporates repeating geometric patterns, floral motifs, and symbolic designs, often carved by hand with incredible precision. Such details speak of a society that valued artistry as part of daily life and spiritual expression — a legacy that Ahmed and Majid continue through their woodwork today.
The brothers’ work is inspired by these traditions but also infused with a modern sensibility. They source locally grown woods such as ghaf, sidr, acacia, almond, and Omani walnut, which grow in the rugged mountains surrounding Rustaq. These trees are harvested sustainably by local suppliers who follow strict guidelines to protect the environment. The wood's natural patterns, grain, and colour inform their designs, ensuring each piece retains a piece of Oman’s natural beauty.
Working with these materials presents its own challenges. No two blocks of wood are identical — each has its personality, its quirks. Some pieces need delicate chiselling to reveal intricate patterns, while others require sturdy sawing for larger furniture. Their workshop’s unique blend of traditional hand tools and modern machinery allows them to balance authenticity with precision. This combination preserves the soul of craftsmanship while ensuring every detail is perfect.
Creating a piece isn’t quick work. Small decorative items might take a few days, while larger furniture or detailed carvings can span several weeks, sometimes even months. Behind every item lies patience, passion, and a desire to honour ancient techniques while making something that can serve contemporary life.
One of their main obstacles is aligning these traditional techniques with the demands of today’s market. In a world saturated with mass-produced, cheaply made goods, Ahmed and Majid stand out by offering handcrafted items that carry stories and history. They’re continually exploring new designs, building relationships with suppliers, and sharing the stories behind each creation—stories of the trees, the mountains, and the skilled hands that shape them. Social media has become a vital tool in reaching a wider audience, both locally and internationally, especially tourists who seek authentic souvenirs embodying Oman’s cultural heritage.
The public response has been encouraging. Omanis value their roots and appreciate handcrafted wooden items that echo their history. Tourists, too, increasingly seek meaningful, locally made crafts that stand apart from the usual souvenirs. The brothers find joy in knowing their work nurtures a connection to Oman’s heritage and helps keep traditional skills alive.
Looking ahead, their ambitions are ambitious yet grounded. They plan to expand the workshop, open a gallery where visitors can see their entire process from raw wood to finished product, and even establish training programmes for aspiring artisans. Reaching global markets through digital platforms, participating in international exhibitions, and experimenting by combining wood with other natural materials are all on their horizon. Most importantly, they want to motivate young Omanis to see craftsmanship not just as a trade but as a pathway to preserve their cultural identity.
For Ahmed and Majid, wood isn’t merely a raw material. It’s a repository of memory, culture, and storytelling. Every cut, carving, and polish echoes centuries of tradition, but it’s also a dialogue between the old and new. Their work asks us to look closer at the beauty in natural imperfections, to cherish handmade artistry. Ahmed and Majid’s dedication proves that at a time when many things are mass-produced or fleeting, true craftsmanship — born from patience, skill, and love — endures.
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